Let's say we're layering two different presets/memories/submasters, each having an assigned value to a specific channel (for instance Preset 1 has Channel 1 at 50% and Preset 2 has Channel 1 at 75%). HTP stands for Highest Takes Precedence and LTP is Latest Takes Precedence. Great! Always happy to lend useful advice!
Lightkey dmx Pc#
I also think this is very expensive for what it offers compared to other choices on the market (MagicQ PC and M-PC), but I'll concede that this is one of the cheaper and most streamlined way to get true sound-to-light control of a system. DMXIS isn't bad by any means, but it's meant for DJs and small bands who want a synchronized light show with minimal peripheral equipment to do so. So yes, it really depends on just what exactly you want the lights to be capable of and how demanding you are of your system. In contrast I could program such an effect on ETC's Cobalt platform in only a minute or two. That's really beyond what this program can do, at least gracefully. Great! If I want each head to individually fly in to a predetermined point on stage (ideally driven by a focus palette), change color, and fly back out - I'm out of luck. As example, if all I want is for a row of moving heads to do the wave - I'm covered. This is wonderful if you like what it does - if you don't - you don't have many other options. It's a quick and easy way to get some movement on stage - either via moving lights or just chasing colors through Pars.
Effects are handled mostly via something called an oscillator.
Lightkey dmx software#
While there are ways to work around this such as how the software can auto-group similar fixture parameters and can also mask to some extent while programming, it's not the same thing. Palettes are a notable feature that's absent.
Lightkey dmx manual#
A quick browse of the manual seems to imply that none of this has seen much (if any) improvement. I know at least at one point in time this software also struggled significantly with any sort of cue stack or playback function with variable but non-consistent timing on movements. Maybe we just missed it, but if that's a truly missing feature then that makes moving lights very difficult to use, especially in a busking scenario.
Lightkey dmx how to#
Last time I played with DMXIS (about a year or so ago) we couldn't figure out how to enable LTP on presets. What I can't comment on with certainty is how DMXIS then handles HTP vs. This works fine when you're just dealing with mainly conventional fixtures and maybe a few basic LED Pars or moving heads, but it's a real pain when working with larger systems. Every channel of DMX is mapped onto a fader (0-100 at that, instead of what should be 0-255). I don't think the software does a good job handling moving light attributes (pan/tilt/color/etc.). That's not necessarily a bad thing especially given what you want to do with it, but to someone familiar with larger consoles there's going to be a lot missing. Keep in mind that this was developed more or less as a niche product that works well with integrating lighting control with simple MIDI triggering or use with a DAW or other DJing program. My bigger gripes with the product have to do with the software. I don't see that as a limitation per say because this unit is intended for use with smaller systems, but it's still worth mentioning if you think you might ever want to expand. Sure! So to start with the obvious, you're capped at a single universe of DMX.
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